<http://data.carnegiehall.org/events/9186/work_11> <http://data.carnegiehall.org/vocabulary/roles/contralto> <http://data.carnegiehall.org/names/22870> .
<http://data.carnegiehall.org/events/9186/work_11> <http://data.carnegiehall.org/vocabulary/roles/soprano> <http://data.carnegiehall.org/names/22871> .
<http://data.carnegiehall.org/events/9186/work_11> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/22871> .
<http://data.carnegiehall.org/events/9186/work_11> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/22870> .
<http://data.carnegiehall.org/events/9186/work_11> <http://schema.org/workPerformed> <http://data.carnegiehall.org/works/8142> .
<http://data.carnegiehall.org/events/9186/work_11> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://data.carnegiehall.org/model/WorkPerformance> .
<http://data.carnegiehall.org/events/9186/work_11> <http://www.w3.org/2000/01/rdf-schema#label> "Semiramide: Act II. Giorno d'orror!...e di contento!" .