<http://data.carnegiehall.org/events/8298/work_04> <http://data.carnegiehall.org/vocabulary/roles/piano> <http://data.carnegiehall.org/names/1117> .
<http://data.carnegiehall.org/events/8298/work_04> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://data.carnegiehall.org/model/WorkPerformance> .
<http://data.carnegiehall.org/events/8298/work_04> <http://data.carnegiehall.org/vocabulary/roles/baritone> <http://data.carnegiehall.org/names/7798> .
<http://data.carnegiehall.org/events/8298/work_04> <http://schema.org/workPerformed> <http://data.carnegiehall.org/works/14318> .
<http://data.carnegiehall.org/events/8298/work_04> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/7798> .
<http://data.carnegiehall.org/events/8298/work_04> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/1117> .
<http://data.carnegiehall.org/events/8298/work_04> <http://www.w3.org/2000/01/rdf-schema#label> "Two by Marianne Moore: 1. English Usage" .