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  <rdf:Description rdf:about="http://data.carnegiehall.org/events/62611">
    <rdf:type rdf:resource="http://schema.org/Event"/>
    <rdfs:label>Recording Session: Louis Kaufman, Violin, with Chamber Orchestra</rdfs:label>
    <ns1:location rdf:resource="http://data.carnegiehall.org/venues/5"/>
    <ns1:organizer rdf:resource="http://data.carnegiehall.org/names/258"/>
    <ns1:subEvent rdf:resource="http://data.carnegiehall.org/events/62611/work_01"/>
    <rdfs:comment>These private recording sessions (which were not public performances) took place on December 25, 30, and 31, 1947, and the product was a full recording of Vivaldi's "The Four Seasons". Since a recording ban called by the musicians' union was set to take effect on January 1, 1948, the sessions were held at midnight, the only times available in the Hall's fully-booked schedule. It is possible that the sessions were actually 12/26, 12/31, and 1/1/1948 at 12:00 AM, although this seems unlikely, as the final session would have violated the onset of the recording ban.&#13;
According to the New York Times, the Concert Hall Chamber Orchestra was a pick-up ensemble assembled for these recording sessions (also 12/30, 12/31/1947); the players mostly came from the New York Philharmonic.&#13;
Eichler, Jeremy. “The Masterpiece That Took 200 Years to Become Timeless.” The New York Times, The New York Times, 27 Feb. 2005, www.nytimes.com/2005/02/27/arts/music/the-masterpiece-that-took-200-years-to-become-timeless.html.</rdfs:comment>
    <ns1:description>chamber orchestra performance</ns1:description>
    <ns1:description>recording session</ns1:description>
    <ns1:startDate rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">1947-12-30T00:00:00</ns1:startDate>
    <ns2:conductor rdf:resource="http://data.carnegiehall.org/names/51135"/>
    <ns2:orchestra rdf:resource="http://data.carnegiehall.org/names/117235"/>
  </rdf:Description>
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