<http://data.carnegiehall.org/events/58439/work_09> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/80791> .
<http://data.carnegiehall.org/events/58439/work_09> <http://data.carnegiehall.org/vocabulary/roles/piano> <http://data.carnegiehall.org/names/80791> .
<http://data.carnegiehall.org/events/58439/work_09> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.wikidata.org/entity/Q204854> .
<http://data.carnegiehall.org/events/58439/work_09> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://data.carnegiehall.org/model/WorkPerformance> .
<http://data.carnegiehall.org/events/58439/work_09> <http://www.w3.org/2000/01/rdf-schema#comment> "world premiere" .
<http://data.carnegiehall.org/events/58439/work_09> <http://schema.org/workPerformed> <http://data.carnegiehall.org/works/99073> .
<http://data.carnegiehall.org/events/58439/work_09> <http://www.w3.org/2000/01/rdf-schema#label> "Leftover Beats from the Edges of Time: 12. How to Keep a Love Forever (A Studied Evasiveness)" .