<http://data.carnegiehall.org/events/4280/work_16> <http://data.carnegiehall.org/vocabulary/roles/baroque_guitar> <http://data.carnegiehall.org/names/2485> .
<http://data.carnegiehall.org/events/4280/work_16> <http://data.carnegiehall.org/vocabulary/roles/soprano> <http://data.carnegiehall.org/names/45987> .
<http://data.carnegiehall.org/events/4280/work_16> <http://data.carnegiehall.org/vocabulary/roles/trio> <http://data.carnegiehall.org/names/28885> .
<http://data.carnegiehall.org/events/4280/work_16> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/16855> .
<http://data.carnegiehall.org/events/4280/work_16> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/2485> .
<http://data.carnegiehall.org/events/4280/work_16> <http://www.w3.org/2000/01/rdf-schema#label> "Tircis, la plupart des Amants" .
<http://data.carnegiehall.org/events/4280/work_16> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/45987> .
<http://data.carnegiehall.org/events/4280/work_16> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/28885> .
<http://data.carnegiehall.org/events/4280/work_16> <http://data.carnegiehall.org/vocabulary/roles/baroque_guitar> <http://data.carnegiehall.org/names/16855> .
<http://data.carnegiehall.org/events/4280/work_16> <http://schema.org/workPerformed> <http://data.carnegiehall.org/works/23004> .
<http://data.carnegiehall.org/events/4280/work_16> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://data.carnegiehall.org/model/WorkPerformance> .