<http://data.carnegiehall.org/events/42466/work_07> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/72158> .
<http://data.carnegiehall.org/events/42466/work_07> <http://schema.org/workPerformed> <http://data.carnegiehall.org/works/14529> .
<http://data.carnegiehall.org/events/42466/work_07> <http://data.carnegiehall.org/vocabulary/roles/soprano> <http://data.carnegiehall.org/names/72156> .
<http://data.carnegiehall.org/events/42466/work_07> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://data.carnegiehall.org/model/WorkPerformance> .
<http://data.carnegiehall.org/events/42466/work_07> <http://data.carnegiehall.org/vocabulary/roles/piano> <http://data.carnegiehall.org/names/72158> .
<http://data.carnegiehall.org/events/42466/work_07> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/72156> .
<http://data.carnegiehall.org/events/42466/work_07> <http://www.w3.org/2000/01/rdf-schema#label> "12 Tonadillas en un estilo antiguo, H. 136: 7. El tra-la-la y el punteado" .