<http://data.carnegiehall.org/events/36880/work_13> <http://data.carnegiehall.org/vocabulary/roles/piano> <http://data.carnegiehall.org/names/40840> .
<http://data.carnegiehall.org/events/36880/work_13> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/40840> .
<http://data.carnegiehall.org/events/36880/work_13> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://data.carnegiehall.org/model/WorkPerformance> .
<http://data.carnegiehall.org/events/36880/work_13> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.wikidata.org/entity/Q204854> .
<http://data.carnegiehall.org/events/36880/work_13> <http://schema.org/workPerformed> <http://data.carnegiehall.org/works/11541> .
<http://data.carnegiehall.org/events/36880/work_13> <http://www.w3.org/2000/01/rdf-schema#label> "12 études d’exécution transcendante, Op. 11: 2. Rondes des fantômes" .
<http://data.carnegiehall.org/events/36880/work_13> <http://www.w3.org/2000/01/rdf-schema#comment> "New York premiere" .