<http://data.carnegiehall.org/events/24671/work_02> <http://schema.org/workPerformed> <http://data.carnegiehall.org/works/38336> .
<http://data.carnegiehall.org/events/24671/work_02> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/14233> .
<http://data.carnegiehall.org/events/24671/work_02> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://data.carnegiehall.org/model/WorkPerformance> .
<http://data.carnegiehall.org/events/24671/work_02> <http://purl.org/ontology/mo/performer> <http://data.carnegiehall.org/names/45479> .
<http://data.carnegiehall.org/events/24671/work_02> <http://www.w3.org/2000/01/rdf-schema#label> "La Gioconda: Act II. È un anatèma" .
<http://data.carnegiehall.org/events/24671/work_02> <http://data.carnegiehall.org/vocabulary/roles/soprano> <http://data.carnegiehall.org/names/14233> .
<http://data.carnegiehall.org/events/24671/work_02> <http://data.carnegiehall.org/vocabulary/roles/mezzo_soprano> <http://data.carnegiehall.org/names/45479> .