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  <rdf:Description rdf:about="http://data.carnegiehall.org/events/19017">
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    <rdfs:label>Washington Square Contemporary Music Society: Ushering in the Nineties</rdfs:label>
    <ns1:location rdf:resource="http://data.carnegiehall.org/venues/1"/>
    <ns1:organizer rdf:resource="http://data.carnegiehall.org/names/32191"/>
    <ns1:organizer rdf:resource="http://data.carnegiehall.org/names/53443"/>
    <ns1:subEvent rdf:resource="http://data.carnegiehall.org/events/19017/work_04"/>
    <ns1:subEvent rdf:resource="http://data.carnegiehall.org/events/19017/work_06"/>
    <ns1:subEvent rdf:resource="http://data.carnegiehall.org/events/19017/work_07"/>
    <ns1:subEvent rdf:resource="http://data.carnegiehall.org/events/19017/work_02"/>
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    <rdfs:comment>WORLD PREMIERE of Tamar Deisendruck's COMING TO TERMS IN THE TOWER OF BABEL&#13;
WORLD PREMIERE of Scott Wheeler's SHADOW BANDS&#13;
WORLD PREMIERE of Eric Moe's WE HAPPY FEW&#13;
NEW YORK PREMIERE of Brian Fennelly's COROLLARY III</rdfs:comment>
    <ns1:description>chamber music performance</ns1:description>
    <ns1:startDate rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">1991-02-24T20:30:00</ns1:startDate>
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